I don’t think I have ever related to a group of characters more. The guys in American Animals choice to do something absolutely mental, because life is disappointing, is very identifiable to me. There is no way I would ever go through with anything though, and it’s a scary prospect. It’s the sort of feeling that probably leads to school shooters – a way to be seen and noticed, as well as to turn your life into an event, rather than a cruising ship. Thankfully the young men that committed the ‘American Animals’ heist appear to be decent human beings, and so they did something much less extreme. They attempted to steal a group of rare books from a college library, to sell for millions of dollars.
If you haven’t seen the film, go see it, because it’s good and I’m going to spoil a few things, though it’s a true story so ‘spoiling’ is a bit irrelevant. Also the way the film is set up, the outcome for the main characters is clear from the beginning. Despite it being director Bart Layton’s feature debut, it’s crafted to a high standard – the film moves at a good pace thanks to some kinetic editing, engaging cinematography choices (<3 letting dialogue play out in a two shot without cuts <3) and its vibrant colour palette. I’d liken it to perhaps a Tarantino film (there is a whole scene where they knowingly rip of Reservoir Dogs), but thankfully it’s not too poppy or overindulgent – the film is quite calm at times. The cast do a solid job, with Evan Peter’s in particular being convincing in a role that is slightly different to his usual ones. I’m a fan of the way they kept it grounded to the truth, with cuts to interviews of the real guys, and the re-telling off different moments from different points of view, which is something I, Tonya did beautifully as well. So it’s an enjoyable movie, but I was more interested in the characters (and real guys) motivations over anything else.
The thing that drives this whole story, and consequent movie is why did they do it? Why did these young, smart, athletic, middle class, healthy lads from supportive families decide to do a heist. I think it stems from disappointments, and one of them being university. Before even learning about the rare books, the main two Spencer (Barry Keoghan) and Warren (Evan Peters) meet up after starting in their respective colleges. They talk about how it wasn’t what they expected and they haven’t met any cool people – it’s just a bunch of jocks. The lie that college will change their life has been revealed to them, and they’re sat back in their home town smoking weed with their old best friend. It’s a strange feeling, and one I’m familiar with. I’m not loving my university degree and I should have probably chosen a different one, because rarely does a lecturer inspire me or I’m interested in the work we are set. Everything appears to have limits, and I was expecting something more. The guys in the film were expecting more, and they see college for what it is, and they think is it all worth it? Warren is there on an athletic scholarship, and one of the best scenes in the movie is when he tells the athletic director at the school that he’s worked all his life to be here, and he thinks it’s all been a waste of time. It’s a beautiful monologue, about working towards something you don’t really want or enjoy, and highlights the relationship he has with his father, who has pushed him all his life to obtain athletic achievement. Again it’s something I can relate to – having an incredibly caring father, that is obsessed with sporting talent over anything else. It comes with a lot of pressure and guilt, and the tension is visible between Warren and his father. The film makers hone in on these little things well, and quickly it’s very obvious as to why these guys did what they did.
Warren is the most troubled out of them, that shows through his divorced parents and his lack of desire to do anything that would make sense. However they all have their cracks, and issues. Spencer wants to be an artist, but he’s from a sheltered home, and he has a strong family unit around him. All of his heroes had something traumatic happen to them, so that they could create great art, and he’s constantly battling with that. I struggle with that too, because how can you write something remarkable when you haven’t seen anything remarkable? Eric (Jared Abrahamson) is on an impossibly dull college course because he wants to work for the FBI, and he has no friends. The real Eric says in one of the interview segments that he agreed to be involved at first so that he could re-start his friendship with Warren. How many times have we done things just for the social aspect? To not feel lonely? Chas (Blake Jenner) is probably the most stable of the four, until he starts whipping a gun out every five minutes, and his flaw is probably his greed. He’s fit, good looking, incredibly successful and wealthy, but he has a desire to keep gaining more – more muscle on the arms, more money in the bank and more points to prove to his father perhaps? After a while you start to think OF COURSE THEY DID IT. It all makes perfect sense.
So now they’re in, and they’re planning the heist. At first Spencer doesn’t think they’ll actually go through with it, and that it’s all just a bit of fun – he could get out at any time, but he never does. Inevitably everything goes wrong for them during the heist, because their planning wasn’t thorough and it wasn’t as easy as they thought. That’s another main reason for why they did it – how simple it all seemed. They could walk into the room, get the keys of the middle age librarian, carry the books out the fire exit and then drive off for 11 millions dollars. The librarian is what changed it from ‘young guys trying to get rich quick’ to ‘young guys doing something stupid and dangerous’. They didn’t realise how difficult it is to ‘neutralise’ a person, or harm them, or threaten them and their aggression towards Betty the librarian (Ann Dowd) has haunted Warren and Eric since. The real Betty during an interview segment talks how she doesn’t think the guys knew what they wanted, they just wanted it quick and easy. They didn’t want to work for their goals, they wanted them now. It’s a profound moment in the film, because it’s the first time they are shown in a negative light, and again, naturally, it’s totally relatable. I want to be an accomplished and respected writer RIGHT NOW please.
At the end you learn that they all got 7 years in prison, which personally I think is pretty harsh, especially for Chas and Spencer who were never in the room with the librarian. What’s interesting is the way the film notes on where the guys are now, to see if the heist was that special thing to happen to them – that movie experience where their arc is shifted upwards because of a major event. For Warren, it could have been the diversion he needed as now he’s back in school, studying film this time around. For Spencer, it could have led him to some great art, because he’s now a working wildlife artist (similar to the book they were trying to steal). The other two seem to have had a lesser result from it all – Chas is a personal trainer and Eric is trying to be a writer. They weren’t particularly searching for that magic moment however, with Warren and Spencer being the ones with more romantic visions. Nonetheless I hope everything in their future lives pan out the way they want, because I see so much of myself in them.
I’m sure when the heist happened there were hundreds of ‘think-pieces’ written about why they did it, so what I’ve written is definitely not original thought, but I was impressed by the film. As someone similar to their age when they did it, I fully understand their motives, and the story is an effective portrait of young men – seemingly with no problems, until you look closer and see that they are about to explode.