My Mid-Year Top 10 Films of 2018

Last year I did this to see if anything stayed in my top ten till the end of the year, and it was interesting because not a lot did.  This year I’ve seen way more films, so it should be a better standard of list.  And are lists boring? Yes probably, and there have been plenty of tweets lately saying how it’s annoying that male critics do them all the time, but I like them.  I like them because when people find out that I see most big releases, they always ask me for recommendations, so this list is for them.  Some disclaimers: firstly, I don’t see everything, especially not all smaller movies and I usually don’t get to them until about a year later, but I have seen 37 movies this year, which is a pretty big sample size for six months.  Secondly these are UK releases, so you might see a couple of 2018 Oscar films, but if they came out this year in England, they make it into this list.  And thirdly this isn’t a list based on quality but instead my own personal enjoyment scale.

 

10.  Annihilation (March)

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The fact that this only came out on Netflix in the UK was so sad, because I was relying on my rubbish internet connection for a good quality image.  That aside the film was really interesting and has a couple of moments that are imprinted onto my mind.  I’m not usually a massive fan of Natalie Portman, but this was about the best thing she’s ever done.  Her character is really dark, and troubled, to a point where it’s reflected in the horrors of the film.  Writer and director Alex Garland is a bit of a hero of mine, and I’m eager to watch this one again.  Full review here: https://robsfocuspull.blog/2018/03/13/annihilation-film-review/

 

9.  Hostiles (January)

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This is probably the most underrated film of the year so far?  Right from the opening of this movie I was sold to this gritty, but beautiful western.  On a visual level it’s breathtaking, and it has some of the best performances of the year.  Christian Bale and Rosamund Pike are terrific, and it has a stellar supporting cast.  The score adds another gorgeous layer to the film, where composer Max Richter used some funky instruments to make some ambient sounds.  It doesn’t thematically reach the heights its aiming for but I cannot recommend this one enough if you missed it!  Full review here: https://robsfocuspull.blog/2018/01/07/hostiles-film-review/

 

8.  A Quiet Place (April)

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I knew I would like this film from the trailer, and it didn’t disappoint.  It’s a series of plot devices mashed together to make a really effective thriller.  John Krasinski and Emily Blunt are both great, and the movie absolutely silenced the cinema I was in.  Is some of the narrative a bit annoying? Yes however the conceitedness brings enough excitement to pull it through.  The scene with the fireworks is one of my favourites so far this year (I might do a list of best scenes).  Full review here: https://robsfocuspull.blog/2018/04/07/a-quiet-place-film-review/

 

7.  I, Tonya (February)

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This one surprised me by how much I loved it.  The way they told this true story was totally engaging, and honest.  It has a great central performance from Margot Robbie, which I thought should have won the Oscar.  The film has the best editing I have seen for a while, where it brilliantly switches from comedic beats to dramatic ones.  It also has some exquisite cinematography during the skating scenes.  Full review here: https://robsfocuspull.blog/2018/02/07/i-tonya/

 

6.  Ghost Stories (April)

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An actual scary horror film!  I’m a sucker for a British film that reaches for the heights of genre and this does exactly that.  There are plenty of jumps throughout, but the last 20 mins is properly haunting.  The characters are alluring, and I liked the way the story pretty much drifted away into something different by the end.  It has large budget sensibilities as well, which not a lot of smaller British movies achieve.  Full review here: https://robsfocuspull.blog/2018/04/10/ghost-stories-film-review/

5.  You Were Never Really Here (March)

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When I came out of this one I wasn’t sure whether I liked it or not.  Thinking about it makes me realise how brilliant it is, and how much I enjoyed it.  Joaquin Phoenix is a marvel of an actor, and with director Lynne Ramsey makes a richly intense movie.  Her choices to subvert our expectations about what the film should be really worked, and made for a more colourful experience.  It will pick at your brain, rather than thrill you.  Full review here: https://robsfocuspull.blog/2018/03/14/you-were-never-really-here-film-review/

 

4.  Isle of Dogs (March)

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I haven’t got a bad word to say about this stunning movie that is lovely on every level. Wes Anderson is now a master at his craft, and the detail in this film is outstanding.  The cast is of course extraordinary, and they each get their own moment to express themselves.  I went to the premiere and enjoyed the film, then loved it when it came out on full release.  Full review here: https://robsfocuspull.blog/2018/02/23/isle-of-dogs-film-review/

 

3.  Avengers: Infinity War

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I definitely wasn’t expecting this to be up here!  I’m not a fan of the Marvel movies at all, and I wasn’t excited going in, but it absolutely blew me away.  I thought the action was fun, and brilliantly choreographed, and the plot quite daring.  There is so much I could praise about this film because each step it took made complete sense. And most of all it made me want to know what’s going to happen next for the first time in this universe.

 

2.  Phantom Thread (February)

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I really thought this was going to be number one right up until the end of the year because of how much I’m in love with this film.  It’s nuanced, thrilling and moving.  Paul Thomas Anderson is one of the worlds great artists, and the subtleties in this movie are genius.  It’s actually a perfect movie with an elegant final performance from Daniel Day – Lewis, and the most pleasing shot choices of the year.  A piece on the film and how it relates to health and eating: https://robsfocuspull.blog/2018/02/13/phantom-thread-health-and-eating/

 

1.  McQueen (June)

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This has just come in at number one, and for good reason.  I was captivated by the story of Alexander McQueen from start to finish.  I was amazed by his fashion, his art and him as a person.  It’s a dark story, where the filmmakers play on that with style.  The film is structured through different McQueen fashion shows, as he goes through his life and his craft moulding around him.  It brought me to tears through the sheer impact of his work, but also the heartbreaking nature of his psyche.

 

 

Here’s 11-20 with points reviews based upon Presentation (P – look of the film), Performance (PA – the acting), Narrative (N – the story) and Effect (E – Did the film have an impact on me?)…

 

11.  Lady Bird –  P: 2.5/3, PA: 3/3, N: 2/3, E: 1/1 – Final Score: 8.5/10

12.  Solo: A Star Wars Story – P: 2/3, PA: 2/3, N: 2.5/3, E: 0/1 – Final Score: 6.5/10

13.  Unsane – P: 2.5/3, PA: 2.5/3, N: 2/3, E: 0/1 – Final Score: 7/10

14.  Game Night – P: 2.5/3, PA: 2/3, N: 2/3, E: 1/1 – Final Score: 7.5/10

15.  Coco – P: 3/3, PA: 2.5/3, N: 2/3, E: 1/1 – Final Score: 8.5/10

16.  The Shape of Water – P: 2.5/3, PA: 3/3, N: 2/3, E: 0/1 – Final Score: 7.5/10

17.  Black Panther – P: 2/3, PA: 2/3, N: 2/3, E: 1/1 – Final Score: 7/10

18.  The Post – P: 2/3, PA: 3/3, N: 2.5/3, E: 1/1 – Final Score: 8.5/10

19.  Hereditary – P: 3/3, PA: 3/3, N: 2/3, E: 0/1 – Final Score – 8/10

20.  Blockers – P: 1.5/3, PA: 2/3, N: 1/3, E: 1/1 – Final Score: 5.5/10

 

I tweet about films ALL THE TIME here: https://twitter.com/insiderobbie

My Mid-Year Top 10 Films (2017)

Listing is something that I have always enjoyed, and my Top 10 films of the year ones have been a constant over my 400 different film blogs.  What’s interesting about them is how they change and how much I’m disgusted by them when I look back.  Honestly I look back at my 2016 list and feel sick at myself for liking certain films as much as I did.  So, in attempt to sort of breakdown the whole year, I’m doing one now at the half way point. Then, at the end of the year I can see how many in this list didn’t make the final cut.  As always with these things, I haven’t seen all the films that have come out in the UK this year, so when I do eventually get round to seeing them they may make the final list at the end of the year.

What I’ve also done for the this is bring back an old scoring system I’ve used in the past. Ratings of films has fascinated recently so I thought it’d be interesting to see where these film ranks in my own particular system, seen as they’re my favourite films of the year. It’s pretty basic really, where I split the film into four categories: Presentation (effectively mise-en-scene & cinematography), Performances, Narrative, and effect.  The first three being marked out of three, and the last 1, though it never gets that full 1 point unless I have seen the film more than once.  It’s a methodical way of looking at films, but it gives a final score out of 10 which I think is a simple way of gauging how good the film is without revealing how much I enjoyed it personally.

On with the list…

 

10.  La La Land (January)

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The beauty of this film is obvious, yet I don’t think it is as special as perhaps it’s marked down to be.  In fact I think that opening scene everyone talks about is really dull. Of course director Damien Chazelles artful presence is clear but I found that he linked music and film tighter in his previous film Whiplash.  The plot is rocky at times and I found Gosling and Stone just okay in the leads.  Despite all of this it makes it into my top 10 because of the simple pleasures of it.  It is a really happy film to watch and I can universally recommend it.  There are some magical moments that will capture the imagination of anyone, and in the end it’s a positive for Hollywood cinema.

Presentation: 3/3

Performances: 2/3

Narrative: 1.5/3

Effect: 0.5/1 (only seen once)

Final Score: 7/10

 

9. Okja (June)

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This is an odd one because I’m not entirely sure how much I enjoyed the film.  Joon-ho Bong is a director that I admire, and so I was looking forward to it.  I didn’t get to see it in the cinema and had to make do with the Netflix version, though I still found it a very attractive.  It’s shot well, like all of his previous films, and has a lighter edge to some of the look of the framing.  Tonally it has some zanier moments as well, which I welcomed but overall ended on a pit of the stomach lull with some of the subject matter. This gave the film meaning, and it was never too much in your face.  The performances were each individually different and the actors brought a lot of life to the story.  Actaully looking back at the film I can say that I firmly did enjoy it.

Presentation: 2.5/3

Performances: 3/3

Narrative: 2.5/3

Effect: 0.5/1 (only seen once0

Final Score: 8.5/10

 

8.  John Wick: Chapter 2 (February)

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The first John Wick was a real fun movie, that I thought dropped off towards the end. This sequel is very similar, but replace the fun with intense thrills and the dropped off to picked up.  Unlike the first film it escalates rather than falls away and so the action is outstanding from start to finish.  It is expertly choreographed and has a more vicious look this time.  There are scenes in this movie that shocked me completely and I was really blown away.  It’s a genre of film that always pulls me to the cinema and I’m looking forward to the next one, because surely they can’t top it?

Presentation: 3/3

Performance: 2.5/3

Narrative: 2/3

Effect: 0.5/1 (only seen once)

Final Score 8/10

 

7.  Silence (January)

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Silence is a tough film, a long, slow process of torture basically.  Yet I feel like it is so beautifully done.  Scorsese deals with each scene with such care and nuance, with the cinematography being really gorgeous and complex.  The narrative is dark and at times lead Andrew Garfield loses his footing, but overall its another Scorsese triumph.  I’m not sure I could recommend this film to anyone and I’m in no rush to watch it again simply due to the subject matter.  Scorsese just manages to win me over with experience, and I think a really compelling story.

Presentation: 3/3

Performance: 2/3

Narrative: 2.5/3

Effect: 0.5/1 (only seen once)

Final Score: 8/10

 

6.  T2: Trainspotting (January)

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It was sort of inevitable how much I would like this film, because of how much I love the original novel and film.  What the sequel brought was actually much more than I was expecting.  It was funny, tragic and had some great film making quirks like the original. All the cast were on top form and Danny Boyle certainly hasn’t lost it.  My original review: https://robsfocuspull.blog/2017/07/03/t2-trainspotting-film-review/

Presentation: 2.5/3

Performance: 2.5/3

Narrative: 2.5/3

Effect: 0.5/1 (only seen once)

Final Score: 8/10

 

5. Logan (March)

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I had a real gun-wrenching reaction to this film.  Wolverine is a character that I’m fond of and he is portrayed perfectly in this film.  It’s a dark tale, full of tragedy and violence. The reaction I had to the film made me write this: https://robsfocuspull.blog/2017/07/03/logan-the-use-of-visceral-cinema/.  I would suggest reading that to see my full thoughts on the film, but to shorten it, I believe the film is a fantastic right to the bone visceral experience.

Presentation: 3/3

Performance: 3/3

Narrative: 2.5/3

Effect: 0.5/1 (only seen once)

Final Score: 9/10

 

4. Manchester by the Sea (January)

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You know what, I adore this film.  The more I think about it the more I want it to be number 1 on my list, showing the strength of the top 3.  It is stunning on a visual level and a dramatic one.  Every single moment is perfect executed by director Ken Lonergan and everyone present on screen does a wonderful job.  It is a masterstroke performance from Casey Affleck in a story that will tear you down, but remind you of the simplicity of life and loss.  My original review: https://robsfocuspull.blog/2017/07/03/manchester-by-the-sea-film-review/

Presentation: 3/3

Performance: 3/3

Narrative: 3/3

Effect: 1/1

Final Score: 10/10

 

3. Baby Driver (June)

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This is a film that I really cannot wait to see again.  It is bold and exciting but most importantly it is a brilliant cinema experience.  Right from the start of the film I was hooked in with the soundtrack effect and it never lets up.  It is showcase of what music can do when it blends with film, and a showcase of Edgar Wright at his best.  He crafts together this heist romp that has an edge thanks to his auteur sensibilities.  And it is another film that I can universally recommend.  My original review: https://robsfocuspull.blog/2017/07/03/baby-driver-film-review/

Presentation: 3/3

Performance: 3/3

Narrative: 2.5/3

Effect: 0.5/1 (only seen once)

Final Score: 9/10

 

2. Free Fire (March)

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I was almost certain after seeing this film it would be my number 1 for the year, because it was so much fun to watch in the cinema.  Ben Wheatley is an interesting filmmaker and he continues to be with this film.  It fits into my favourite film category: small premise with interesting characters.  A 90 minute shootout is what it says on the tin, but the chaos that actually occurs is much more than that.  It’s a stunning take on violence and conflict that I have never seen before.  Each character has their own traits and beliefs meaning that there interactions are not only full of peril but are also full of humour.  I think its a real achievement and will go down as a classic in my books.  My original review: https://robsfocuspull.blog/2017/07/03/free-fire-film-review/

Presentation: 3/3

Performance: 3/3

Narrative: 3/3

Effect: 0.5/1 (only seen once)

Final Score: 9.5/10

 

1. Dunkirk (July)

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There is a lot I could say about this film and I’ve been really battling with myself whether to review it or not.  I could talk about the subject matter being really meaningful to me as a British person and the care Christopher Nolan takes with it.  I could talk about the groundbreaking film making techniques he employs, or the breathtaking cinematography.  I could talk about the edge Nolan puts on it by playing with the time of the plots.  All in all, it has to be experienced, and in the best way possible.  I saw it in 70mm iMAX and it utterly shattered me.  My bones creaked and my blood swirled through each masterfully crafted scene.  It’s a must watch, and once you’ve scene it, I’m pretty sure it’ll be near the top of your list too.

Presentation: 3/3

Performance: 3/3

Narrative: 3/3

Effect: 0.5/1 (only seen once)

Final Score: 9.5/10

 

There are 7 other films that I’ve seen in this first half of the year, so I’ve ranked from 11-17 below…

11. Moonlight – P: 3/3, P: 3/3, N: 2/3, E: 0/1, F.S: 8/10

12. The Lost City of Z – P: 2.5/3, P: 1.5/3, N: 3/3, E: 0.5/1, FS: 7.5/10

13. Hidden Figures – P: 2/3, P: 3/3, N: 2.5/3, E: 0.5/1, FS: 8/10

14. Guardians of the Galaxy – P: 3/3, P: 2.5/3, N: 1.5/3, E: 0/1, FS:  7/10

15. War for the Planet of the Apes – P: 3/3, P: 2.5/3, N: 1/3, E: 0/1, FS: 6.5/10

16. Get Out – P: 2.5/3, P: 3/3, N: 1.5/3, E: 0/1, FS: 7/10

17. Alien Covenant – P: 2/3, P: 2/3, N: 1/3, FS: 5/10