I was pleasantly surprised to see that this film has a pretty big release. A British horror, with a writer from Yorkshire, and produced by a company based in Sheffield. It gives a different look to UK cinema on a mainstream scale, which is a good thing (probably). The film stars Andy Nyman (who also writes and directs alongside Jeremy Dyson) as supernatural debunker Professor Phillip Goodman, who encounters three paranormal cases that may be unexplainable. He goes through these ‘incidents’ and begins to unpick the people at the centre of them, however something is lurking on his own mind.
The way this is film is presented gives it a fluid, and loose feel. At first it appears as a mockumentary, then it turns into a straight narrative, then soon it’s unclear who’s telling the story at all. This worked because the film never got stuck into any of these zones, and it kept the film out of reality, which makes the supernatural elements more authentic. These spooky events were spooky, thanks to the characters apart of them, and the way that they were shown. Each case came with an interesting performance , the first being Paul Whitehouse as a sad working class man, then Alex Lawther as the misfit teenager, and finally Martin Freeman as the snobby high-flyer. They all brought their own intrigue to the table, and were played superbly by the actors. The ‘incidents’ themselves were bog-standard for a horror – some kind of attack in the dark that could possibly be put down as a mental break. These scenes have their scary moments, but ultimately weren’t really terrifying. They relied on quite a few jump scares, which are only annoying if that’s the only thing going on, and thankfully this film had a lot more going on. It was the mystery of the situation, and the person, that made the cases engaging.
As the movie proceeds, it gets more unhinged, and soon the intensity of the horror becomes something different. This was an excellent progress of the narrative, and Andy Nyman in the central role guides this. He’s good as the cynical psychic denier, who slowly questions himself as the film goes on. It’s something we’ve seen before, but the payoff in this film was so satisfying for me, and it’s where the proper terror comes. There’s a moment right at the end, where the film actually scared me, and it’s a piece of true horror. I loved this, and enjoyed the film a great deal. It’s well done, to a point where the narrative is perfectly paced, with a mix of credibility and mysticism. The directing is great, from two first timers, with some brilliant lighting effects, and nice use of open cinematography. If you are a horror fan, you can’t go wrong here, but more than that the film seemed to involve so much more than the poltergeist events, with lots of poignant subtleties (definitely a good thing).
Is it worth the price of a cinema ticket?
YES! This film ties in well with Journeyman (review here: https://robsfocuspull.blog/2018/04/04/journeyman-film-review/) because that too was a ‘Screen Yorkshire’ film that I described as possibly not the best cinema experience. Ghost Stories is one hundred percent a top cinema experience, and a good representation for what you can do with a decent budget in the UK.
* also in the screening of this, I was sat next to three awful people who were talking and making noise all the way through it. Almost to a point where the middle case was a slightly lacklustre because I was distracted. This has made me want to see the film again, on my own.